Exclusive Interview w/ Byron C. Miller, Director: The Anatomy of Monsters
AVAILABLE ON AMAZON - THE ANATOMY OF MONSTERS
- What inspired you to create The Anatomy of Monsters?
It all started 11 years ago. I was a movie theater manager, and
one night after the midnight shows had let out I gave one of my stranded
employees a ride home. I dropped her off and was heading home, middle of the
night, driving through a neighborhood I’d never been in, and this creepy idea
hit me. What if I was a serial killer and my MO was to go to a place I’d never
been, randomly pick a house, grab whatever weapon was lying around and use it
to murder everyone inside. As that creep nugget gestated I was listening to the
Ladytron album “Witching Hour” and
kept getting this specific image of a woman. She was a DJ in LA, and a serial
killer. I had all of these ideas about her life, and the flashback, Permanent
Midnight style flashback structure. I had a lot of notes and ideas but
it wasn’t a complete story. So I put it away until, fast forward a few years.
I’m living in Seattle, working with Paul Morgan on an number of music videos of
which he was the Cinematographer and I was the Director, Editor. We decided it
was time to do a feature together, which would be my second feature film after NIGHT
(2006). As we were going over concepts Paul remembered this idea I had told him
about, and he thought the concept sounded doable on a microbudget. I have him
every note I had about Sarah, Nick, and the basic structure. Paul took all of
that and put the huge twist on it…It’s not Sarah and Nick in the room, it’s
Sarah and this new character, Andrew. Two dangerous people, a game of wits, and
then we free up the Sarah, Nick story to blossom on its own within the
flashback structure. Paul very quickly wrote a screenplay that not only nailed
the characters and meticulous structure, but the poetry of the piece that I so
dearly wanted. This is a layered story about relationships, about the terrible
cycles we can find ourselves in, and it’s a mood piece meant to evoke a feeling
of late night hours and unsafe thoughts.
AVAILABLE ON AMAZON - THE ANATOMY OF MONSTERS
- Does being a musician help you in any way with movie making?
Being a musician and a performer definitely helps me on set. I’ve
been performing in bands, as monsters in haunted houses, and some acting for
most of my life. The performance and acting work (along with years of corporate
work in management and leadership roles) help me to work well with and
understand my actors, and the needs of my crew. Also, touring for years when I
was in God Module, playing shows
across the world helped me to always be ready to adapt, problem solve, and to
be “on” even when you’re exhausted. It works the other way too. I approached my
new band, Ghosts in the Graveyard, like a director. You see, while I’m the lead
singer and write most of the lyrics, I don’t make music. When I approached Paul
to create this band with me and make all of the music I presented him with a
clear vision of what I wanted the band to be, gave him multiple songs for
reference, took him through how I thought some of the songs should be
structurally. From all of that he knew what I was going for, and ran with it,
creating a sound that was everything I imagined and so much more. That’s what I
do as a director; inspire a vision in my team so that we can all soar to
greater heights together…and have a little fun along the way.
- What was the most challenging aspect of making The Anatomy of Monsters?
The biggest challenge and hardest lesson was the hard drive crash.
We had shot over 70 pages of the script. We were nearing the finish line when
we realized it was high time to back up all of the footage so it wasn’t just on
one massive hard drive. As we began this process the hard drive fell over, on
carpeted ground, a slight tip over on its side and it was toast. We knew there
were data recovery options but that would take time and if it failed we
wouldn’t have a movie. Very quickly we decided to stay the course, finish the
shoot. I’m so glad we did because 80% of the footage was recovered, and what we
lost only made those scenes stronger when we did reshoots a year later.
AVAILABLE ON AMAZON - THE ANATOMY OF MONSTERS
- What has been your proudest moment (so far) from The Anatomy of Monsters?
I don’t know if I have just one. Landing distribution with a
company as cool as Artsploitation Films,
and to be among their impressive library of unique films meant the world to me.
Every time someone tells me how much they enjoyed the film, and different
things they took away from it. I can’t aptly put into words how important that
is to me. I put my heart and soul into every creative project, and it means
everything when someone connects with the material.
I’m super proud of and thankful for the cast and crew! Everyone
really gave it their all and went in with a great desire to make something
special.
AVAILABLE ON AMAZON - THE ANATOMY OF MONSTERS
- In your own words, why will genre fans like The Anatomy of Monsters?
I think genre fans will resonate with the films creepy mood, and
it’s exposed beating heart. If you like deliberate, layered, artsy, poetic,
strange films this is going to be right up your alley.
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